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Background Donald Lipski’s sculpture is the first in a series of significant public and privately funded artworks that will populate Scottsdale’s Arizona Canal area. The Doors sets a high bar for future additions to the canal area collection as it offers all the best elements of experiential art—it is approachable, unique and fun, and appealing to motorists and pedestrians alike. In addition, The Doors has a dynamic quality that will encourage visitors to re-experience the sculpture at different times of the day as well as over time. The sculpture invites exploration—not only of itself—but of the entire downtown as well.
About the Art The Doors is a 28-ft tall, walk-in kaleidoscope—an interactive monument to discovery—that marks the threshold to Scottsdale’s downtown. Designed for Scottsdale and installed April 2007, The Doors is now one of the most important works in the Scottsdale Public Art Collection, along with the James Turrell Skyspace, Louise Nevelson’s Windows to the West and Robert Indiana’s Love.
Quick Facts
The artwork is offered as a gift by the Scottsdale Waterfront Commercial, LLC to the Scottsdale Public Art Program. It is the largest, single donation of an artwork in our City’s history. Realization of the sculpture is a major milestone of achievement within the Arizona Canal development and for downtown Scottsdale. Such accomplishments are helping the area to rapidly become a significant civic, residential, commercial, and tourist destination.
Location In front of P. F. Chang's at
the southwest corner of Scottsdale and Camelback roads.
About the Artist Donald Lipski earned his M.F.A. in1973 from the Cranbrook Academy of Art, Bloomfield Hills, Michigan. His many honors include National Endowment for the Arts awards, an American Academy of Arts and Letters award, and the Guggenheim Fellowship. Mr. Lipski's work is in permanent collections nationally including the Metropolitan Museum of Art in New York, Walker Arts Center in Minneapolis, and the Menil Collection in Houston.
Overview Jim Green has used sound as a primary artistic medium for over twenty-five years. His approach is to humanize public space by playfully introducing unexpected sound into the environment. A review panel met February 28, 2007 for Jim Green's presentation of his proposal for an audio component for Donald Lipski's The Doors sculpture. Mr. Lipski's approval has been key in the development of Mr. Green's proposal and is integral to the artwork and its installation. Mr. Green's proposal is to create a program of what he calls sound mantras, rhythmic episodes of sound that balance the pixilated visual space of the kaleidoscope effect inside the sculpture. The sound program will mask the din of traffic and provide a range of collected sounds from desert wildlife to composed sounds. The concealed equipment specified for the project is of the highest quality commercial sound electronics and will be accessible for maintenance. The project will be completed Fall 2007. Sample Tracks
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